This week Special Topics in Media resumes its focus on "Film Listology" with a discussion of director Lewis Milestone's 1930 war film All Quiet on the Western Front. Winning the Academy Award for Best Picture and Best Director, All Quiet might better be understood as an anti-war film for its grueling depictions of the human cost of war. Based on the novel of the same name by Erich Maria Remarque, the source material was revisited as a TV movie in 1979 and again as a critically acclaimed streaming film distributed by Netflix in 2022. Do remakes and reinterpretations help or hinder a film's cultural significance? Hosts Garret Castleberry and Scott McMurry place these texts in conversation with one another as a means of discerning the context of the earliest film and its place in the pantheon of World War I literature.
Hosts: Garret Castleberry, Scott McMurry
Producers: Garret Castleberry, Will McMurry (Audio Engineer), Alli Garner (Cover Art), Austin Foster (Music)
Recommended readings paired with our Film Listology season:
Rick Altman. Film/Genre. British Film Institute, 1999.
Jim Collins, Ada Preacher Collins, Hilary Radner (Eds.). Film Theory Goes to the Movies, 1st Edition. New York: Routledge, 1992.
Ways to Connect with us online:
Follow and engage with Special Topics in Media on Twitter at @podcast_topics.
"Like" to follow our Special Topics in Media Page on Facebook (search Special Topics in Media).
Join the Special Topics in Media Facebook Group and share your reviews of the film or this episode.
Subscribe to Dr. Castleberry's academic YouTube Channel.
Garret's academic website is available at https://garretcastleberry.academia.edu/.
This week Special Topics in Media resumes its focus on "Film Listology" with a discussion of director Lewis Milestone's 1930 war film All Quiet on the Western Front. Winning the Academy Award for Best Picture and Best Director, All Quiet might better be understood as an anti-war film for its grueling depictions of the human cost of war. Based on the novel of the same name by Erich Maria Remarque, the source material was revisited as a TV movie in 1979 and again as a critically acclaimed streaming film distributed by Netflix in 2022. Do remakes and reinterpretations help or hinder a film's cultural significance? Hosts Garret Castleberry and Scott McMurry place these texts in conversation with one another as a means of discerning the context of the earliest film and its place in the pantheon of World War I literature.
Hosts: Garret Castleberry, Scott McMurry
Producers: Garret Castleberry, Will McMurry (Audio Engineer), Alli Garner (Cover Art), Austin Foster (Music)
Recommended readings paired with our Film Listology season:
Rick Altman. Film/Genre. British Film Institute, 1999.
Jim Collins, Ada Preacher Collins, Hilary Radner (Eds.). Film Theory Goes to the Movies, 1st Edition. New York: Routledge, 1992.
Ways to Connect with us online:
Follow and engage with Special Topics in Media on Twitter at @podcast_topics.
"Like" to follow our Special Topics in Media Page on Facebook (search Special Topics in Media).
Join the Special Topics in Media Facebook Group and share your reviews of the film or this episode.
Subscribe to Dr. Castleberry's academic YouTube Channel.
Garret's academic website is available at https://garretcastleberry.academia.edu/.